Sophisticated Artists Club T-Shirt V for Victory - V for Vino
Sophisticated Artists Club T-Shirt V for Victory - V for Vino
Sophisticated Artists Club T-Shirt V for Victory - V for Vino
Sophisticated Artists Club T-Shirt V for Victory - V for Vino
Sophisticated Artists Club T-Shirt V for Victory - V for Vino

Sophisticated Artists Club T-Shirt V for Victory - V for Vino

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* Linda (1,70m) and Felix (1,88m) wear size L

Beauty doesn't have to be in the head. And Nike doesn't need a head to win. But a glass of wine is a must. Red is best.
Beauty does not have to be reduced to a certain part of the body, not even the head. Beauty can also simply lie in the being of the here and now of a moment.

Komoda (Japanese chemist, born 1904) explained to his daughter: “Who told us that beauty is in our heads?” I see the folds of the tunic; these flies are agitated by the sea breeze. “Hold the sea breeze in the movement of the folds of this tunic for eternity, it is beauty”.

[“Who told you that beauty is in the mind? Look at the folds of the tunic; those folds are moved by the sea breeze. To stop the sea breeze in the movement of the folds of this garment for eternity, that is beauty.”]

Then I thought to myself - what better moment can eternity in the sense of a balance between chaos and order be visualized than in a falling wine glass. Funnily enough, it falls from exactly the place where the head should be - the head that you don't need to express your beauty anyway.

But I'm sure no one has asked themselves how drinking is supposed to work when reading this text.

Yosaburo Kodama was born in Japan in 1904 and was born to his grandmother. A professional chemist, on his only trip to Argentina where he met María Antonia Schweitzer. When they came to live, Maria Kodama's parents took care of her and distanced themselves when she was a girl. “During one of the scheduled visits, Kodama (Mary called her father by name) passed by and we looked around and found the Museum of Decorative Art and the Museum of Fine Arts. We explore galleries and exhibitions. I transmitted my artistic sensitivity; I taught myself to look. When asked what beauty was, he reserved his answer for the end of the next week and gave me, then, an art book with a cover of The Victoria of Samoa. But he doesn't have a head, he says. And he answered me: What tells you that beauty is on your head? I see the folds of the tunic; these flies are agitated by the sea breeze. “Hold the sea breeze in the movement of the folds of this tunic for eternity, it is beauty”. The dialogue, according to Maria Kodama written in 1995, occurred in 1949, when she was four years old. “Without embargo, expressly, is the emotion that I felt in 1983 when I saw her for the first time at the Louvre, with Borges on my side.”

English translation: Yosaburo Kodama was born in Japan in 1904 and raised by his grandmother. A chemist by profession, after the death of his only relative he traveled to Argentina, where he met María Antonia Schweitzer. They married, became parents of María Kodama, and became estranged when she was still a child. "On one of the agreed visits, Kodama (Maria calls her father by his surname) picked me up and we went to the Museum of Decorative Arts and the Museum of Fine Arts. We explored galleries and exhibitions. He instilled in me his artistic sensibility; he taught me to look. When I asked him what beauty was, he reserved his answer for the following weekend and then gave me an art book with a picture of 'The Victory of Samothrace'. But it has no head, I told him. And he answered me: Who told you that beauty is in the head? Look at the folds of the tunic; those folds are moved by the sea breeze. To stop the sea breeze in the movement of the folds of this garment for eternity, that is beauty." The dialogue took place, as María Kodama wrote in 1995, in 1949, when she was four years old. "However, he expresses, the emotion I felt when I saw it for the first time in the Louvre in 1983 with Borges by my side is indescribable."

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