- Order number: V-316644
* Linda (1.70m) and Felix (1.88m) wear size L
Beauty doesn't have to be in the head. And Nike doesn't need a head to win either. But there has to be a glass of wine. Preferably red.
Beauty does not have to be reduced to a certain part of the body, including the head. Beauty can also simply lie in the being of the here and now of a moment.
Komoda (Japanese chemist, born 1904) explained to his daughter at the time “¿Quién le dijo a usted que la belleza está en una cabeza? Mire los pliegues de la tunica; esos pliegues están agitados por la brisa del mar. Detener la brisa del mar en el movimiento de los pliegues de esa túnica para la eternidad, esa es la belleza”.
[“Who told you that beauty is in the mind?” Look at the folds of the tunic; These folds are moved by the sea breeze. To stop the sea breeze in the movement of the folds of this robe for eternity, that is beauty.”]
Then I thought to myself - at what moment is eternity better visualized in the sense of a balance between chaos and order than in a falling wine glass. Funnily enough, it falls right from the place where the head should actually be - the head that you don't need to express your beauty anyway.
But no one has asked themselves how drinking is supposed to work when reading the text.
Yosaburo Kodama was born in Japan in 1904 and was born to his father. Químico de profesión, al morir su nica pariente viajó a la Argentina donde conoció a María Antonia Schweitzer. He lived in a house where the fathers of María Kodama met and distanced himself from the age of a child. “En una de las visitas acordadas, Kodama (María llama a su padre por el apellido) pasó a buscarme y fuimos at Museo de Arte Decorativo y al Museo de Bellas Artes. Explore galleries and exhibitions. Me transmitting my artistic sensibility; me enseñó a mirar. Cuando le pregunté qué era la belleza, él se reserve su respuesta para el fin de semana siguiente y me regaló, entonces, un libro de arte con una lámina de La Victoria de Samotracia. If you don't have a head, you're the same. Y él me respondió: ¿Which person is used to the beauty being in a head? Mire los pliegues de la tunica; esos pliegues están agitados por la brisa del mar. Detener la brisa del mar en el movimiento de los pliegues de esa túnica para la eternidad, esa es la belleza”. The dialogue was written by María Kodama in 1995, written in 1949, for ten years. “Sin embargo, expresa, es inarrable la emoción que sentí en 1983 cuando la vi por primera vez en el Louvre, con Borges a mi lado”.
German translation: Yosaburo Kodama was born in Japan in 1904 and grew up with his grandmother. A chemist by profession, he traveled to Argentina after the death of his only relative, where he met María Antonia Schweitzer. They married, became parents to María Kodama, and became estranged when she was still a child. “On one of the agreed visits, Kodama (Maria calls her father by his last name) picked me up and we went to the Museum of Decorative Arts and the Museum of Fine Arts. We explore galleries and exhibitions. He gave me his artistic sensibility; He taught me to look. When I asked him what beauty was, he reserved his answer for the following weekend and then gave me an art book with a picture of “The Victory of Samothrace.” But she has no head, I told him. And he answered me: Who told you that beauty is in the mind? Look at the folds of the tunic; These folds are moved by the sea breeze. To stop the sea breeze in the movement of the folds of this robe for eternity, that is beauty.” The dialogue, as María Kodama wrote in 1995, took place in 1949, when she was four years old. “However, as he expresses, the emotion I felt when I first saw it at the Louvre in 1983 with Borges by my side is indescribable.”